Sunday, March 18, 2007

hiding number 1

Friday, March 15
Barrington, Harvey, Morris, Queen.
12:00pm to 12:20pm

This is a description of my first hiding event - for a general description please see the post called hiding.
I had seen this hiding spot as I biked by at night. It appeared to be a bank of bushes that were trimmed into cube-like forms about 3 1/2 feet high and spaced about a foot apart. These were planted along the sidewalk to mark off a boundary with the parking lot on the other side. When I had biked by I thought that hiding between the bushes would break ulp their uniformity. I did not notice at the time that the parking lot served a building belonging to the Canadian government. Nor did I think about the nature of hiding in bushes that divided a parking lot from a sidewalk, namely, being exposed on both sides.

So, on the day of the mission, dressed in long-underwear and warm outerwear for the cold, armed with a clock so I could meet the agreement to hide between 12 noon and 12:20 I waited by the parking lot until I heard the canon indicating it was time.
terrified, I assumed my position, curling up into a sitting position between the two closest bushes, their branches pushing in to support my back and crushed up against my knees. My mind was racing with the realization that I looked entirely suspicious and pathetic. I could be a suicide bomber and my little electric clock could be the detonator for a bomb (I don't know what service the government building provided, but I was afraid). A car pulled out of the parking lot, I felt sure they were going to call security or the police. I looked at the clock: 2 minutes had passed. I tried to concentrate on the leaves of the bushes and to relax into my sitting position. Why was I doing this? I needed to be prepared if the police or security arrested me. I am an artist, I am doing research into the nature of public spaces. right, ok. I heard people walking and driving by and tried to keep my head down and my eyes straight ahead - I was hiding, I was becoming an architectural object, I had to keep reminding myself that I wasn't doing anything wrong. Sounds seemed loud and threatening. I felt like everyone who passed could see me and had to choose whether or not to be worried for or about my strange behaviour.
I heard footsteps approaching and felt certain that the police were here. A male voice said softly, "are you ok, bro?" I looked up, and registered a man, not a policeman, a creepy looking tall man with long hair, sunglasses, a fedora, a trench coat, his purple-pink skinned hand swollen and dry from the cold wind, holding a cane. I think he was wearing cowboy boots and tight black jeans, I don't remember, I just remember my instantaneously appraisal of his appearance and the way I judged him - I was doing something strange, but I responded to his concern by seeing him as not proper, as creepy and different from me. I saw him with my fear. I realized this after he left. Anyways, after seeing him (in this horrible, judgemental, negative way) I registered that he was saying something to me and knew that it was something nice, not threatening. I smiled and quickly said yes, I'm an artist. As his concern wained I said genuinely, thank you for asking. He walked away and I tucked my head back down on my chest. I felt so embarrassed for arousing his genuine concern for unneccessary reasons. Art is such a fraud. Why am I behaving like I need help when I'm just hiding, I'm toying with peoples emotions, I'm a sociopath. I felt so bad and still so scared, and I was getting cold. I still was worried that the police would come.
At 12:20 I got up, cold, exhausted and dazed, glad to become invisible again.

2 comments:

michelle said...

what an irony, becoming invisible making you visible, or concious of your visibility (the threat of being found hinding).it makes me realize that he only real invisibility is an unthreatening "controlled" visibility.

i have spoken a lot about this work. i really enjoy it. one of my concerns was the very fact that you are invisible to an audience who is seeking you but visible to those outside of the sphere.what is hiding if you do not define who you are hiding from (audience) and can you selectively hide, do you even need to hide.... it changes the whole art dynamic because you end up with this default audience enteracting with fragments of the work and probably very little to no audience dealing with the work.

that man was the best example with you. totally being social but as soon as art is introduced, everything shifts. concerning behavior becomes passively accepted, unquestionned (it creates it own passive audience)and you become threatened by a lack of distance and controll you maintain on the action/event (the breakdown of your own belief,or, as i like to say, a suspension or hesitation of disbelief that is required to maintain the performance...i am not wierd, this has a clear purpose, ect.). art is this crazy fucking frame of understanding/not understanding belief/disbelief. i am an artist (with what authority)/ i am a strange guy in bushes (with what authority)....

i feel strongly about your first encounter and am happy you are keeping note of it.

do you think you will perform some more?

Joshua said...

I have done hidden 3 times now, just need to write a description of hiding 2 and 3.

thanks for your comments! It helps me get a sense of how well/if the project communicates.